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Cinematical (Double-O) Seven: Ways They Almost Killed 007

By Richard von Busack (Subscribe to Richard von Busack's posts), Posted Nov 12th 2008 10:02PM
Filed under: Fandom, Cinematical Seven, James Bond, Lists, Cinematical


I guess he'll die another way, to paraphrase Madonna's lousy theme song for the 20th Bond movie. Bond's survival of baroque death traps has been mocked on screen all the way back to 1965, when the noted character actor Robert Easton had the following line as a fruity-accented Bond type in The Loved One: "I think it could be dicey if he decides to use the giant squid." There was a giant octopus in the novel of Dr. No, though no villain ever actually employed sharks with laser helmets as in the Austin Powers films. However, there had been a planned robot shark in the kinda-non canonical Bond adventure Never Say Never Again. Our hero has dealt with seven especially exotic murder weapons over the years:

1. Death by giant yo-yo: Octopussy (1983) Resting after an exhausting shag with Maud Adams, Commander Bond (Roger Moore) is awakened by the sudden arrival in his bed of a razor-ended steel yo-yo as large as a family-sized pizza. This must have been the invention of co-screenwriter George MacDonald Fraser, who was always menacing his hero Flashman with just such stuff. I can't nail down the exact first use of strapping a heroine to a log and sending her into a sawmill, though this was considered so essential to the silent serials that it was parodied in the titles of TV's Fractured Flickers. This particular flying guillotine, some sort of cousin to this ancient sawmill gag, brings the circle around from silent movie heroism to modern day pulp.
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Cinematical Seven: Olympic Movies You've Never Seen

By Richard von Busack (Subscribe to Richard von Busack's posts), Posted Aug 14th 2008 10:02PM
Filed under: Documentary, Drama, Sports, Cinematical Seven, Cinematical




When the 1932 Olympics hit LA, it began a long history of synergy between the games and the movie business. That synergy led to Zhang Yimou, China's answer to William Wyler, who gave the recent opening ceremony all due pageantry. Over the years, the Olympics contributed to the movies, foaling movie stars by the ton. The games were a casting call whenever one needed someone as chunky as a wrestler or as slender as a swimmer, or Tarzan, who I guess is a combo of swimmer and wrestler. My favorite will always be Harold "Oddjob" Sakata, silver medalist in the light-heavyweight weight-lifting competition at the 1948 Olympiad. Defamer.com has the more tragic roster of Olympians who pursued cinematic careers like those of Mitch Gaylord and Bruce Jenner. The games have foaled classic documentaries, too, the most well known example is Leni Riefenstahl's 1938 Olympia. Yet there have been these lesser known pictures about this world-wide fest:
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After Images: Batman (1966), (1989), (2008)

By Richard von Busack (Subscribe to Richard von Busack's posts), Posted Jul 20th 2008 5:02PM
Filed under: Fandom, Comic/Superhero/Geek, After Image, Columns, Features, Columns, Cinematical




On a cloudless January day in 1966, Los Angeles was such a dull small town that children could be alerted to something as small a skywriter at work. My parents must have been watching the Rose Bowl, as they did every New Year's Day. In those days we lived five miles or so away from the arena, on the heights over the Arroyo Seco. They saw the plane on TV buzzing the big game and urged me to go outside and have a look. Up in the sky, the small plane, low enough that you could hear the drone of the engine, spelled out the words in smoke B-A-T-M-A-N I-S C-O-M-I-N-G.
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After Images: The Apple (1980)

By Richard von Busack (Subscribe to Richard von Busack's posts), Posted Jun 30th 2008 8:02PM
Filed under: Music & Musicals, After Image, Features, Cinematical


My friends, I just don't know. Falling in love with a real atrocity is a mystery for me. It's not all about pathetically proving my self-worth by laughing at someone else's failed effort: "better to have never made a feature film at all than to make a monstrosity like this! Haw haw! Oh, I'm so very superior." I know I ought to be saving my limited spare time for masterpieces instead of outlandish dreck. But I still have one particular friend who knows where to find this stuff, and we sit side by side on a couch and laugh ourselves into hypoxia. Companionship is part of the experience. But so is the out of body experience ... it's like my brain is trying to reject the very message the eyeballs are trying to convey to it.
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Your Favorite Death Scenes of All Time?

By Richard von Busack (Subscribe to Richard von Busack's posts), Posted Jun 29th 2008 3:32PM
Filed under: Fandom, Peter Jackson, James Bond, Lists, Cinematical
It's official: more actors need to die. Debra Winger figuratively kicking the bucket in Terms of Endearment, or Jimmy Durante literally kicking the bucket in It's A Mad Mad Mad Mad World ... Harold Sakata reaching for his unfortunately uninsulated derby in Goldfinger, Bugs Bunny grabbing for Oscar gold after being mortally wounded by Elmer Fudd in Tex Avery's short "The Wild Hare" ("It's gettin' dark, Doc ... gasp, choke"). One of my favorites: James Mason making it until daybreak during an entire movie-long death scene in Odd Man Out, or the death by, eh, inspiration in Hot Fuzz.

The list goes on at Gawker.com, where a poll got a lot of people talking. Male posters aired out plenty of excuses for crying in movie theaters like whipped little girls. One correspondent has a likely explanation for shedding his unmanly tears at the end of Armageddon: "a piece of meteorite got in my eye." I know how he felt. Ambient radiation made my eyes run when Spock got broiled at the end of The Wrath of Khan. And all that Middle Earth pollen played hell with my sinuses right when Boromir keeled over, begging apology with his last breath. What's your own favorite demise? Cinematical's Monika Bartyzel lists her 7 best here, from an '07 column, mentioning one time Steven Seagal didn't pull through. Incidentally an outfit called movie deaths.com insists on that the one 100 percent rating is the demise of the pugnacious black knight (above) in Monty Python and the Holy Grail. Get out the kleenex and weigh in ... Read

The Sky Keeps Falling: Tartan Films Folds

By Richard von Busack (Subscribe to Richard von Busack's posts), Posted Jun 27th 2008 6:02PM
Filed under: Drama, Horror, Independent, Distribution, Home Entertainment, Features, Movie News, Cinematical


Bad news from European Variety: Hamish McAlpine's 26-year-old Tartan Films is folding. Today, it was announced that Tartan is laying off of its entire 22-member staff, part of "going into administration" as the Hollywood Reporter notes, using the British phrase that more or less means bankruptcy under the administration of auditors.

The London-based distributor might be best known for the scads of J-horror and K-horror it distributed through the Tartan Asia Extreme and Tartan Terror, aka Tartan Grindhouse. The label had a strong fan base, but apparently not enough of a base to survive. The news may not be a surprise, since the closure of Tartan USA had been announced at this year's Cannes Festival, with the sale of domestically-distributed films to Palisades Media.

Tartan films had included such prestige fare as 12:08 East of Bucharest, 2005's best film The Death of Mr. Lazarescu (above) and Johnnie To's Triad Election; the Asia Extreme label got grittier with for Oldboy, the original Ringu and its sequel, and the excellent Korean chiller A Tale of Two Sisters. Here's a list of some of the releases; as eclectic a roster as there is in the current cinema, bearing as it does names from Michael Powell to Park Chan-Wook.

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Fan Rant: Steve Carell's Maxwell Smart and "The Principle of the Brick"

By Richard von Busack (Subscribe to Richard von Busack's posts), Posted Jun 24th 2008 7:02PM
Filed under: Comedy, Fan Rant, Cinematical
As a long time fan of the original TV show, and as a grown up version of the kid who used to memorize William Johnston's paperbacks ... as a former elementary school student who went in for as many tedious "Would you believe?" jokes as the legions of film critics writing about this week's box office success ... as all of these things, I'm not expecting anything more heart-breaking this summer than Get Smart. From the under-performing villain (the usually savory Terence Stamp) to the dull direction by Peter Segal, the film was a complete tick-off.

Richard Schickel spelled out his own disappointment in the opening paragraph of his review in Time Magazine:

"A schlemiel may be, must be, grievously acted upon by the always malevolent world. But he can never be permitted to act effectively against that world. At the end of his adventures he must, somehow, triumph over the forces of darkness that surround him - but only accidentally so...In that spirit of genial fantasy, we permit out surrogate that utter self-confidence, that sublime sangfroid, with which with he cheerfully motors his way around and through disaster." ReadReadRead
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