British director Ken Russell has a style all his own -- his films are immediately recognizable, usually due to their portrayals of lavish decadence. (Scotsman.com recently published a good profile about the director.) I watched a bunch of his earlier films in college: The Devils, Women in Love, The Music Lovers, Gothic. The last one I saw was the campy yet barely coherent Lair of the White Worm ("slither in!"); none of Russell's later films have grabbed my attention. Still, it was fun to see him last year playing himself in the faux-documentary Brothers of the Head, which even contains some scenes from a pretend Russell film about the twins. I wondered what he was up to these days.What Russell has been up to in the last month, however, is reminding us that the man also has a personal style all his own. No, he's not wandering around with a farm animal to promote his latest film (that would be David Lynch). Instead, he decided to take a turn on
I'm hoping Russell will now return to working on something fabulously overwrought -- IMDb lists him as having an adaptation of Moll Flanders in pre-production, with Barry Humphries and playwright Steven Berkoff in the cast. I've no idea how accurate the IMDb listing is, but I hope Russell will direct something that will tempt me to the theater to watch. Something completely un-fuddy-duddy, please. He's nearly 80 years-old, but I hope he hasn't mellowed.

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